Emelia ft Kuame Eugene

New Music 🎶🔥

Shotgunn – Adey Lick (Prod. By Possigee – Audio MP3)
https://www.kppromotionsgh.com/2020/08/shotgunn-adey-lick-prod-by-possigee.html

AY Poyoo set for his Virtual Concert on September 4

AY Poyoo promises two hours of amazing performances and appearancesListen to the Article

Ghana’s new music discovery is finally ready to host his first major live concert on the 4th of September 2020.

A concert full of new musical experiences and appreciation of unique creative talents.

The event is powered by Thank God It’s Friday and 925 Music. The night will feature incredible and talented artists like (in no special order) Wanlov The Kubolor, Sister Deborah, Solid K, Ablekuma Nanalace, Kafui Chordz, Kofi Jamar, Ahkan, Kweli, Ohemaa Dadao and Yaw Lucaz.

The concert will be at the “Prime Bar” North Industrial Area, Accra (Ghana) and will be streamed live on Ay Poyoo’s Facebook Page (@AyPoyoo) and official YouTube Channel (Official AY POYOO).

It will be streamed live simultaneously on both platforms. Performances begin at 6pm GMT.

It will be 2 Hours of amazing performances and appearances. Every minute will be memorable and totally worth experiencing.

Ay Poyoo revealed that he has put in a lot of work to make this a success because he believes Ghanaians and his fans around the world are expecting the best out of him. It is going to be a great experience and a pleasure-giving all viewers the best of the night.

He also said all artists joining him on this great occasion are some of the greatest artists and performers he has ever seen. And it’s a blessing having them at his concert.

VGMA 2020: Kuami Eugene wins Artiste of the Year Award

By Goodname_ August 30, 2020

Kuami Eugene

Lynx Entertainment signee, Kuami Eugene, has a pulled a big surprise on Ghanaians and music lovers by winning the Vodafone Music Awards 2020 Artiste of the Year award.

Industry players had widely predicted Kofi Kinaata and Sarkodie as possible winners of the award

Afrobeat artiste and beat maker, ROLLY PANDAserves us with his first single of the year and it’s titled “Basabasa”. Basabasa is a groovy fast-tempo song which was produced by  Rolly Panda Himself.

Stream, Download and add to your playlist now! enjoy.Rolly Panda – Basabasa (Prod by Rolly Panda)[Download] 

CHECK

Mista Myles releases ‘Die For You’

Official artwork for the songListen to the Article

Ghanaian singer/song writer Mista Myles earlier this month via social media announced that he will be releasing his first body of work later this year.

The singer who is signed to MimlifeRecords is currently in his second year of music. 

The singer believes with the growing audience around him, it is the right time to properly introduce himself to the industry; as such the project is a reflection of his artistry. In anticipation of the project, he drops a single off the project. 

Love is a powerful experience and many would do anything within their ability to experience what it feels like to love and be loved. While others will give away all their money to be loved, Mista Myles is offering his life. In the singer’s new song “Die For You” he tells the story of how he’s willing to lay it all on the line just to prove how much he cares and loves this woman but for some reason he is unsure if she will love him. 

The afro-soul song is by produced by Mimlife Records in house producer WebieJustDidit and will give you an insight into how far the singer is willing to go just to win the love of the woman.

The song is accompanied with a video directed by Dir Kofi. 

Awuah II and stares singer/actress Sister Debby. The video gives a visual description of the content of the song. 

Tulenkey – Link Up

Highly rated Ghanaian rapper Tulenkey comes your way with this afro-fusion record tagged, ‘Link Up’.

You Might Also Like: Tulenkey – Corona

After a successful release of his ‘Corona‘ single, Tulenkey joins forces with MOGBeatz to serve us with this party banger.

DOWNLOAD MP3

‘YARD’ IS A TIMELESS SONG TULENKEY HAS TO PUSH

Almost a year after it was released, Tulenkey’s bombastic hip hop record “Yard” could win people over.

“Which Tulenkey do you like?” is a question I have been brooding over for a while. My answer is always based on my mood. Afropop Tulenkey, with his uncanny humorous punchlines and comical finger-wagging lyrics usually pours with happiness. His afropop tunes mostly feels like a hot bath after a hard day. You laugh, squirm, curse, tap dance or clap listening to him. Afropop Tulenkey is like that family member who knows how to pull the right trick to cheer you up or commensurate with you in your worse days.

On the flip side, hip hop Tulenkey is fiery, focused and serious. The homourous glitter that often surrounds his afropop tunes are often dissolved in the pool of urgency. He is like a sharpshooter determined to win the prize at stake. No room for gimmicks. Just meanness on the tracks.

The fact that Tulenkey won’t make it on many people’s “Top Rappers” list has little to do with his rapping abilities and much to do with how he is perceived: an artist whose afropop bops tip towards simple, regular lyrics than hard bars. In short, Tulenkey finds himself almost in the same barn as Shaker- a gifted artist whose musical career is spoken about with emphasis on his humour- clad, pop leaning raps.

“Child Abuse Remix” and “Proud Fvck Boys”- both the originals and remixes were the songs on which Tulenkey found a space to stand; mainstream wise. The endearing elements that culminated in this success were unmissable. Humor was as thick as the fog atop the Akuapim ridges. The melody and groove of the songs were the nectar that enticed us. The lyrics found a place in our hearts, as you could either identify with them or know someone who knows someone who mirrors some of the lyrics.

Born Chief Boateng Osei – Bonsu in Accra, Tulenkey (or Tuley) extended his brand through his partnership with Mr. Eazi’s Empawa Africa label. If for nothing at all, the association helped his visibility in other African markets, occasioning the collaborative efforts on the remix of ‘Proud Fvck Boys’, Nigerian version.

Almost a year ago, Tuley released both the audio and video for “Yard”, a song that proved his worth as an excellent rapper. (If you did not listen to”Forever 96″ off his 1/1 mixtape, then you missed out on his rappity rap shit). The rappity rap side is what he is hesitant to showcase – for obvious reasons- but does court the right responses whenever he has gone that direction.

‘’Yard’’ is a timeless record. The song transcends today, fits into tomorrow, and awaits the future

“Yard” ticks a lot of hip hop boxes- the Slum produced beat would make every rapper jealous. The production is delightful, elegantly crafted. It’s hard without sounding excessive in composition. The minimal string medley is the bait that hooks your attention. The surging drums and snares open your veins up for that anticipated ecstasy that the hook injects into you, sonically. The story rendered by Tulenkey – about fame, drugs, girls- are stemmed in reality-it relatable, one way or another. The work that ARA and Wes7ar 22 did on the hook did fed into the overarching theme of the song.

Although all these elements combine cogently to give “Yard” its riveting feel, one major attraction of the song is this: it’s a stoner’s anthem.

“Yard” induces you to light one up. Not, just to chase an ordinary high but that ‘out-of-body or ‘I- can-touch-the-sky” high. “Yard’’ is a record. The song transcends today, fits into tomorrow, and awaits the future. In simple terms, “Yard” is a timeless stoner’s anthem, as the hook clearly emphasizes: “Blacka Puzzy roll/ I got the lighter/Na we be puffing, we be chilling, we go high”.

Tulenkey’s opening rhetorical question: “What be the move?/Hope you know how we dey move?” and “the feeling be nice/The feeling be right for the move/ Me and my people for here/We dey turn up with nothing to lose”, depicts both the way most Ghanaian youths exchange dubs and also, what it means to live without any inhibitions (“we dey turn up with nothing to lose”).

Whoever advised Tuleneky to keep his verses short deserves commendation (more vim to him or her). That actually helped make the record more pop in tone. Instead of rapping a hard-hitting 12 bars with excessive punchlines, complex rhyme schemes which does fly over the head of non-rap nerds,, Tulenkey literally gave WES7AR and ARA a moment to introduce themselves to a demographic of Ghanaians who love Tulenkey. The hook, admittedly is the best in recent times an unarguably what made the record.

“Yard” is a good song that was not promoted enough to catch on. Tulenkey and his team could put a bit of energy behind the song and steamroll with the seeming renewed interest in hip hop in the country. The timelessness of the “Yard” is like a gas awaiting a flicker of heat to combust

Tune in to Radio Ada 93.3fm to listen to Stonsh as the studio guest and Authur as the Host journalist on 28th of this August 2020 for Hot🔥mind exclusive interview @11:00am (GMT)